Parsons is a part of The New School, a university in New York City offering distinguished degree, certificate, and continuing education programs in art and fashion design, and the performing arts. | www.newschool.edu The Aperture Foundation, the Photography Department at Parsons The New School for Design, and the Vera List Center for Art and Politics present a new season of panel discussions focusing on photography. Speakers including George Baker, Associate Professor of Modern and Contemporary Art and Vice-Chair of UCLA, Department of Art History; Andrea Geyer, artist and Assistant Professor of Fine Art, Parsons The New School for Design; and artists Paul Pfeiffer and Krzysztof Wodiczko, discuss projection and installation strategies many contemporary artists have used to create immersive and cinema-like experiences in their works and exhibitions. PARSONS PHOTOGRAPHY | www.newschool.edu Contemporary artists have started departing from the large, tableau vivant treatments of the photograph, as seen in works by Jeff Wall, Andreas Gursky, Philip-Lorca diCorcia, and Gregory Crewdson. In recent years, they have employed a variety of projection devices to incorporate their photographs into temporal, audio-visual experiences, which recall cinematic contexts yet retain distinctly photographic qualities. On the surface, these works seem to meld experimental and structuralist filmmaking lineages and large-scale photographic practices prevalent in the past two decades. At the same ...
Showing posts with label Context. Show all posts
Showing posts with label Context. Show all posts
Wednesday, February 20, 2013
Photography in Context: The Projected Photograph | Parsons The New School for Design
Photography in Context: The Projected Photograph | Parsons The New School for Design Tube. Duration : 119.48 Mins.
Parsons is a part of The New School, a university in New York City offering distinguished degree, certificate, and continuing education programs in art and fashion design, and the performing arts. | www.newschool.edu The Aperture Foundation, the Photography Department at Parsons The New School for Design, and the Vera List Center for Art and Politics present a new season of panel discussions focusing on photography. Speakers including George Baker, Associate Professor of Modern and Contemporary Art and Vice-Chair of UCLA, Department of Art History; Andrea Geyer, artist and Assistant Professor of Fine Art, Parsons The New School for Design; and artists Paul Pfeiffer and Krzysztof Wodiczko, discuss projection and installation strategies many contemporary artists have used to create immersive and cinema-like experiences in their works and exhibitions. PARSONS PHOTOGRAPHY | www.newschool.edu Contemporary artists have started departing from the large, tableau vivant treatments of the photograph, as seen in works by Jeff Wall, Andreas Gursky, Philip-Lorca diCorcia, and Gregory Crewdson. In recent years, they have employed a variety of projection devices to incorporate their photographs into temporal, audio-visual experiences, which recall cinematic contexts yet retain distinctly photographic qualities. On the surface, these works seem to meld experimental and structuralist filmmaking lineages and large-scale photographic practices prevalent in the past two decades. At the same ...
Parsons is a part of The New School, a university in New York City offering distinguished degree, certificate, and continuing education programs in art and fashion design, and the performing arts. | www.newschool.edu The Aperture Foundation, the Photography Department at Parsons The New School for Design, and the Vera List Center for Art and Politics present a new season of panel discussions focusing on photography. Speakers including George Baker, Associate Professor of Modern and Contemporary Art and Vice-Chair of UCLA, Department of Art History; Andrea Geyer, artist and Assistant Professor of Fine Art, Parsons The New School for Design; and artists Paul Pfeiffer and Krzysztof Wodiczko, discuss projection and installation strategies many contemporary artists have used to create immersive and cinema-like experiences in their works and exhibitions. PARSONS PHOTOGRAPHY | www.newschool.edu Contemporary artists have started departing from the large, tableau vivant treatments of the photograph, as seen in works by Jeff Wall, Andreas Gursky, Philip-Lorca diCorcia, and Gregory Crewdson. In recent years, they have employed a variety of projection devices to incorporate their photographs into temporal, audio-visual experiences, which recall cinematic contexts yet retain distinctly photographic qualities. On the surface, these works seem to meld experimental and structuralist filmmaking lineages and large-scale photographic practices prevalent in the past two decades. At the same ...
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